It has been just over thirty years since James Webster published his influential monograph Haydn’s “Farewell” Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in His Instrumental Music (Cambridge University Press, 1991). To honor the anniversary of Webster’s groundbreaking book, the Encounters with Eighteenth-Century Music: A Virtual Forum steering committee asked L. Poundie Burstein, Elaine Sisman, and W. Dean Sutcliffe to offer perspectives on the book, and James Webster to respond to their perspectives. The interesting online session occurred on Tuesday, October 18, 2022, and included a lively open discussion following the presentations and Webster’s response. The three presenters and Webster graciousl...
Forty-seven years ago, Daniel Heartz signed a contract to write an “Introduction to Classic Music” f...
The surviving original correspondence relating to Haydn’s folksong arrangements for George Thomson o...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
In his lifetime Joseph Haydn enjoyed huge popularity throughout Europe. As a composer of symphonies,...
HSNA President Michael E. Ruhling remembers Advisory Board member and renown conductor/scholar Chris...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...
2015 will mark the 200th anniversary of the founding of Boston\u27s Handel and Haydn Society, the ol...
The compositional response to Haydn’s works in the second half of the twentieth century has up to th...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
The following article offers a short chronicle of the scholarship on Haydn in Hungary since the late...
Forty-seven years ago, Daniel Heartz signed a contract to write an “Introduction to Classic Music” f...
The surviving original correspondence relating to Haydn’s folksong arrangements for George Thomson o...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
In his lifetime Joseph Haydn enjoyed huge popularity throughout Europe. As a composer of symphonies,...
HSNA President Michael E. Ruhling remembers Advisory Board member and renown conductor/scholar Chris...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...
2015 will mark the 200th anniversary of the founding of Boston\u27s Handel and Haydn Society, the ol...
The compositional response to Haydn’s works in the second half of the twentieth century has up to th...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
The following article offers a short chronicle of the scholarship on Haydn in Hungary since the late...
Forty-seven years ago, Daniel Heartz signed a contract to write an “Introduction to Classic Music” f...
The surviving original correspondence relating to Haydn’s folksong arrangements for George Thomson o...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...